A few more that I think are absolutely fantastic works of literature:
Touching and wonderfully funny, In Custody is woven around the yearnings and calamities of a small town scholar in the north of India. An impoverished college lecturer, Deven, sees a way to escape from the meanness of his daily life when he is asked to interview India’s greatest Urdu poet, Nur – a project that can only end in disaster.
Set in India's Old Delhi, CLEAR LIGHT OF DAY is Anita Desai's tender, warm, and compassionate novel about family scars, the ability to forgive and forget, and the trials and tribulations of familial love. At the novel's heart are the moving relationships between the members of the Das family, who have grown apart from each other. Bimla is a dissatisfied but ambitious teacher at a women's college who lives in her childhood home, where she cares for her mentally challenged brother, Baba. Tara is her younger, unambitious, estranged sister, married and with children of her own. Raja is their popular, brilliant, and successful brother. When Tara returns for a visit with Bimla and Baba, old memories and tensions resurface and blend into a domestic drama that is intensely beautiful and leads to profound self-understanding
A "beautifully written, richly textured, and haunting story" (Chaim Potok), BAUMGARTNER'S BOMBAY is Anita Desai's classic novel of the Holocaust era, a story of profound emotional wounds of war and its exiles. The novel follows Hugo Baumgartner as he flees Nazi Germany -- and his Jewish heritage -- for India, only to be imprisoned as a hostile alien and then released to Bombay at war's end. In this tale of a man who, "like a figure in a Greek tragedy . . . seems to elude his destiny" (NEW LEADER), Desai's "capacious intelligence, her unsentimental compassion" (NEW REPUBLIC) reach their full height.
The award-winning translation of Dostoevsky's last and greatest novel.
The Brothers Karamazov is a passionate philosophical novel set in 19th century Russia, that enters deeply into the ethical debates of God, free will, and morality. It is a spiritual drama of moral struggles concerning faith, doubt, and reason, set against a modernizing Russia.
Bazarov—a gifted, impatient, and caustic young man—has journeyed from school to the home of his friend Arkady Kirsanov. But soon Bazarov’s outspoken rejection of authority and social conventions touches off quarrels, misunderstandings, and romantic entanglements that will utterly transform the Kirsanov household and reflect the changes taking place all across nineteenth-century Russia.
Fathers and Sons enraged the old and the young, reactionaries, romantics, and radicals alike when it was first published. At the same time, Turgenev won the acclaim of Flaubert, Maupassant, and Henry James for his craftsmanship as a writer and his psychological insight. Fathers and Sons is now considered one of the world’s greatest novels.
A timeless depiction of generational conflict during social upheaval, it vividly portrays the clash between the older Russian aristocracy and the youthful radicalism that foreshadowed the revolution to come—and offers modern-day readers much to reflect upon as they look around at their own tumultuous, changing world.
When Tess Durbeyfield is driven by family poverty to claim kinship with the wealthy D'Urbervilles and seek a portion of their family fortune, meeting her 'cousin' Alec proves to be her downfall. A very different man, Angel Clare, seems to offer her love and salvation, but Tess must choose whether to reveal her past or remain silent in the hope of a peaceful future.
'"But you do," he went on, not waiting for contradiction. "You love the boy body and soul, plainly, directly, as he loves you, and no other word expresses it ..."
Lucy has her rigid, middle-class life mapped out for her until she visits Florence with her uptight cousin Charlotte, and finds her neatly ordered existence thrown off balance. Her eyes are opened by the unconventional characters she meets at the Pension Bertolini: flamboyant romantic novelist Eleanor Lavish, the Cockney Signora, curious Mr Emerson and, most of all, his passionate son George.
Lucy finds herself torn between the intensity of life in Italy and the repressed morals of Edwardian England, personified in her terminally dull fiancé Cecil Vyse. Will she ever learn to follow her own heart?
The Lamberts – Enid and Alfred and their three grown-up children – are a troubled family living in a troubled age. Alfred is ill and as his condition worsens the whole family must face the failures, secrets and long-buried hurts that haunt them if they are to make the corrections that each desperately needs. Stretching from the Midwest in the mid-century to Wall Street and Eastern Europe in the age of globalised greed, The Corrections brings an old-time America of freight trains and civic duty into wild collision with the era of home surveillance, hands-off parenting, do-it-yourself mental healthcare, and New Economy millionaires. It announces Jonathan Franzen as one of the most brilliant interpreters of American society and the American soul.
When Quoyle's two-timing wife meets her just desserts, he retreats with his two daughters to his ancestral home on the starkly beautiful Newfoundland coast, where a rich cast of local characters and family members all play a part in Quoyle's struggle to reclaim his life. As Quoyle confronts his private demons--and the unpredictable forces of nature and society--he begins to see the possibility of love without pain or misery. A vigorous, darkly comic, and at times magical portrait of the contemporary North American family, The Shipping News shows why Annie Proulx is recognized as one of the most gifted and original writers in America today.
The incomparable Alice Munro's bestselling and rapturously acclaimed Runaway is a book of extraordinary stories about love and its infinite betrayals and surprises, from the title story about a young woman who, though she thinks she wants to, is incapable of leaving her husband, to three stories about a woman named Juliet and the emotions that complicate the luster of her intimate relationships. In Munro's hands, the people she writes about women of all ages and circumstances, and their friends, lovers, parents, and children become as vivid as our own neighbors. It is her miraculous gift to make these stories as real and unforgettable as our own.
To call the families in these 15 stories dysfunctional would be an understatement. Gallant's characters are misplaced even in location--not French, British, or American, they always seem uncomfortable in their surroundings. The tension can be heard in smooth narration, conveying frustration without the contrivance of stilted accents. Gallant (who has lived in Paris since 1951) deftly conveys innocence through the child's or grown child's perspective. The first story, "The Fenton Child," immediately grips the readers, and the rest of the book doesn't release its choke hold.